The Personal Responsibility of Immersive Memorials

Three years ago, I wrote about immersive memorials - the idea of places where objects and points of memory are dispersed through spaces, rather than being localized in one place. The example I used were Stolpersteine, the brass “stumbling block” cobblestones that mark the former residences of Holocaust victims throughout Europe. When I first wrote…

Cracking Character - The Fun of Being Historical-ish

What happens when living history interpreters allow the lines between the past and present to blur a little? When they don’t break character, but they definitely crack it? I’m always a bit skeptical of living history and (re)enactment experiences. I don’t dislike them by default, but growing up between the Revolutionary War reenactment-happy towns of Lexington…

Retro References in Museums

A few weeks ago, my students and I were talking about what pieces of current pop culture we thought would have sticking power. What references, songs, movies, and taglines from today will people still be using thirty years from now? Will our future be full of YOLOs, hashtags, twerking, and fetch? Just kidding. Fetch is never going…

Creative Processes

The more ways I involve myself in creative projects, the more how see how much of the creative process is the same, regardless of your final products and goals. This video about Dustin Lance Black’s storytelling process focuses on screenwriting, but it could just as well be about how we tell tales in museums. “Figuring out why. Not…

Inspiration - Icelandair (again)

Last year I wrote about how impressed I was with the interpretive moments sprinkled throughout Icelandair’s planes. When I traveled with them this month my admiration kept growing. These guys are good. Their little language and cultural stories are consistently interesting, quirky, and beautifully phrased, while still being short and snazzy. The world needs more interpretive signage…